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  THE SHAPE OF DESIRE

  Ace Books by Sharon Shinn

  MYSTIC AND RIDER

  THE THIRTEENTH HOUSE

  DARK MOON DEFENDER

  READER AND RAELYNX

  FORTUNE AND FATE

  ARCHANGEL

  JOVAH’S ANGEL

  THE ALLELUIA FILES

  ANGELICA

  ANGEL-SEEKER

  WRAPT IN CRYSTAL

  THE SHAPE-CHANGER’S WIFE

  HEART OF GOLD

  SUMMERS AT CASTLE AUBURN

  JENNA STARBORN

  QUATRAIN

  TROUBLED WATERS

  THE SHAPE OF DESIRE

  Viking / Firebird Books by Sharon Shinn

  THE SAFE-KEEPER’S SECRET

  THE TRUTH-TELLER’S TALE

  THE DREAM-MAKER’S MAGIC

  GENERAL WINSTON’S DAUGHTER

  GATEWAY

  THE SHAPE OF DESIRE

  SHARON SHINN

  ACE BOOKS, NEW YORK

  THE BERKLEY PUBLISHING GROUP

  Published by the Penguin Group

  Penguin Group (USA) Inc.

  375 Hudson Street, New York, New York 10014, USA

  Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)

  Penguin Books Ltd., 80 Strand, London WC2R 0RL, England

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  (a division of Pearson Australia Group Pty. Ltd.)

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  (a division of Pearson New Zealand Ltd.)

  Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196,

  South Africa

  Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

  This is an original publication of The Berkley Publishing Group.

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

  Copyright © 2012 by Sharon Shinn.

  Text design by Laura K. Corless.

  All rights reserved.

  No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

  ACE and the “A” design are trademarks of Penguin Group (USA) Inc.

  FIRST EDITION: April 2012

  Library of Congress Cataloging-in-Publication Data

  Shinn, Sharon.

  The shape of desire / Sharon Shinn.—1st ed.

  p. cm.

  ISBN: 978-1-101-56162-1

  1. Shapeshifting—Fiction. I. Title.

  PS3569.H499S49 2012

  813’.54—dc23 2011041164

  PRINTED IN THE UNITED STATES OF AMERICA

  10 9 8 7 6 5 4 3 2 1

  To Susan Austin

  Because you’re right:

  It’s long past time you had a book dedicated to you.

  Table of Contents

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Ninteen

  Chapter Twenty

  Chapter Twenty-one

  CHAPTER ONE

  It’s around two in the morning when I hear a rustle and bump in the kitchen, and I sit up in bed. I’ve left the light on over the stove for the past few days, since I’ve been half expecting Dante to show up. Still, you never know who might have come in through an unlocked door. I get up quietly, throw a robe over my T-shirt, and grab the cell phone in case I need to call 911. Then I creep down the hallway until I can peer into the lighted kitchen and determine whether what awaits me in the other room is a murderer or a lover.

  It’s the lover. Dante is standing with his back to me, drinking orange juice straight out of the carton. His black hair is greasy, tangled, and halfway down his back; he is shirtless, and I can see the pattern of his ribs through the roughened layer of skin. I wonder what creature he has been this time, and for how long. Where he has been staying, what he has been eating, if he has been in danger.

  For a long time, I don’t speak. I simply watch as he finishes off the juice and then opens the refrigerator door again. He’s clearly ravenous. He rips open a package of cheese and consumes half the brick in two bites, still rummaging through Tupperware containers and wrapped serving bowls to find something to assuage his hunger. He actually grunts with pleasure when he finds the roast beef I defrosted and left on a plate on the bottom shelf. Setting the plate on the kitchen counter, he closes the refrigerator door and uses both hands to peel back the Saran Wrap, rolls a thick slice of beef, and eats it like a hot dog. He’s halfway through the second piece before he stiffens all over and swings around to stare into the darkness of the corridor where I am hiding.

  Just for a moment, I get the chance to see his face in full-on feral intensity. My God, he is so beautiful. Beneath the grime and beard stubble, his skin is marble white; his deep-set eyes are a dense and impenetrable brown. His mouth is full and heavy, his cheekbones deliberately planed. Black hair sweeps back from his forehead in a theatrical fall. He could have been an actor, a model, a muse, some rich woman’s companion, if only his life had been a little different.

  If only his life had been completely different.

  “Maria?” he says in his low voice. It’s not hard to imagine that voice dropping a few notes, losing its consonants, and coming out as a wordless growl.

  He must realize that I am the likeliest presence to be standing a few feet away in the dark; but he sets his plate down, frees his hands for combat, and continues to stare in my direction. Until moments like this, I think that I would like to see him in one of his alternate forms sometime; but I always realize, in those few seconds before he recognizes me, that I really wouldn’t. I am not afraid of him now, but I might be if I saw him in some other guise.

  I step out of the shadows. “Yes, it’s me,” I say. “You look so thin.”

  He glances down at his chest, bare except for a necklace made of a leather cord holding a single key. Indeed, he’s much leaner than I like. And I see a new wound cutting through the thin, dark mat of hair on his chest. The cut has already healed, though not long ago. Sometime in the past month, Dante has been in pain and in peril.

  He lifts his gaze again and smiles at me, an expression that always reminds me why, despite everything, I love this man so much. “It’s been a tough few weeks,” he admits.

  I come closer. “I see you found the beef,” I say. “There’s frozen pizza if you need some carbs.”

  “Maybe later,” he says. “Protein’s better for now.”

  This close, I get a pr
etty strong whiff of what I mentally describe as new Dante, the creature he always is when he first arrives. There’s dirt and sweat and garbage and urine and some indefinable animal odor—the sort of scent that surrounds a zoo on a hot day. It doesn’t bother me as much as you might think. I want to get closer still, throw my arms around him, press my mouth against his, remind myself of his shape and his strength. He’s always the one who holds back at first. I’m never sure if it’s the wild instincts making him shy away from human contact—or his human instincts shunning his animalistic side, and trying to shield me from it at the same time.

  He glances from my face to the plate of roast beef and back to my face. It’s clear he’s trying to determine if he’s eaten enough to get him through the next few hours. “I need a shower,” he says, obviously deciding more food can wait. I step in his path as he heads for the doorway.

  “I need to kiss you,” I say, holding him in place with my hand against his chest.

  “Maria—”

  “Just…a kiss.”

  He holds utterly still as I stretch up and touch my lips lightly to his, but beneath my hand I can feel his heartbeat kick up a notch. I press in a little harder, just enough so that his mouth responds to mine, and then I step away. I’m smiling; he’s not.

  “There are towels and clean clothes in the bathroom,” I say. “Want me to make you a meal?”

  He’s watching me with those unbelievable eyes. At times like this his expression is the most haunted, most unreadable. Is he sorry that he has disrupted my life so completely? Sorry he cannot exist beside me through ordinary days like an ordinary man? Sorry that he cannot stay away? Not sorry at all, merely roused to a passion he refuses to act upon until he has restored himself to some self-imposed level of civilization? Or is he simply still hungry and thinking of nothing more than food?

  “Don’t cook,” he says, his voice even lower, throatier. “I’ll come rummage some more once I’m out.”

  I nod and turn away to straighten up the little mess he’s made. I don’t hear him leave but I can tell when he’s gone. Even when he’s wearing shoes, which he isn’t at the moment, he moves almost without sound. The only reason I know he has left the room is that I miss him already.

  I busy myself in the kitchen for about ten minutes, putting away the meat, rinsing off some apples, making sure the sliced bread is out on the counter so he’ll see it if he comes hunting for more food later on. But I can’t stand being in the kitchen when he’s somewhere else in the house. I lock the outside door, turn off the light, and feel my way down the dark corridor toward the bathroom. The door is open just enough to allow a little light and a lot of steam to escape.

  I untie my robe, yank my T-shirt over my head, step out of my panties. I leave all of these lying in the hall as I push the door open and step into the hot, foggy bathroom. I can see his silhouette, dark and blurred, behind the translucent glass of the shower door.

  When I push it open and step inside, he spins around as if he is a woodland creature startled by a predator. Water sloshes over both of us, kicked up by his feet before it can swirl into the drain, streaming down from the nozzle overhead. It is almost too misty to see, but there is no missing Dante. I scoot carefully across the slippery porcelain of the tub, lifting my arms to twine around his neck. I can smell the toothpaste on his breath as I kiss him again. Water and soap make our skin slippery as our bodies come together. He is no longer resisting me; indeed, his arms close around me, hard, and he kisses me with a furious desire. The water continues to beat down on both of us as we make love in the shower until all the hot water is gone.

  It is the first time I have felt fully alive since the last time I saw him.

  I know Dante will sleep all day, so I go into work, even though I obviously didn’t manage to get much rest the night before. Still, I hate to waste one of my few remaining vacation days moping around the house, waiting for him to get up.

  I work as an accountant at a midsize firm in Eureka, Missouri, about forty minutes outside of downtown St. Louis. The company provides Web design and marketing support to regional businesses as far away as Arkansas. There are about twenty of us scattered throughout two stories; the creative people have offices on the top level, while the nuts-and-bolts people like me populate the ground floor. Still, it’s impossible to work in such a small place and not be fairly well apprised of everyone else’s business.

  Today, all the gossip is about one of the secretaries, who came in with what looks suspiciously like a bruise under a heavy caking of foundation. It’s not the first time. We all suspect she’s being abused by her husband, but whenever someone tries to approach her on the topic, she refuses to speak to us, on that subject or any other. There are several of us who feel like we’re failing her as friends and human beings, and we constantly debate what we should be doing for her. I have seen up close the effects of domestic violence; I know how badly such a situation can end. But I have no more clue about how to help Kathleen than anyone else does.

  The office manager drops by my desk around ten, just as I’m yawning over the same spreadsheet that I’ve been staring at for the past half hour. She perches on the edge of my desk, which is something of a feat since her clothes are exceedingly tight and her skirt is exceedingly short. She’s a well-endowed, fiftyish woman with garishly blond hair. She looks like she should be serving coffee at a diner and wearing a name tag that identifies her as PEARL or JOLENE, but, in fact, her name is Ellen. I simply love her.

  “Well, I stopped to talk to Kathleen for a few minutes this morning and asked how she was doing. Said I thought she looked kind of unwell, and wanted to know if she needed anything or wanted to talk about anything,” Ellen says. I always mentally fill in the pauses in her speech by imagining her taking a drag on a cigarette. She says she hasn’t lit up in more than a decade, but you can tell, by the hungry way she watches other smokers, that she still wants to.

  “Did she tell you to mind your own business?”

  “Her expression said, ‘Fuck off, bitch,’ but you know Kathleen. Not the swearing type,” Ellen replies. “She just said she was fine, a little tired, and then she started going through her mail.”

  “We’re all going to feel terrible someday when we learn she’s been murdered by her husband.”

  “Nah, Ritchie’s too chicken-shit to kill her. He’d rather beat her up for the next thirty years than try to break in a new rag doll.”

  “Even if you got her to talk to you, even if you got her to leave him, she’d probably just go back to him. What’s the statistic about the numbers of abused wives who return to their husbands?”

  Ellen shrugs. She’s said before that she doesn’t care much about statistics, she cares about stories. Every time she says it, I think, You’d really love mine. “And even if she left him, even if she got a divorce, there’s no saying that he wouldn’t track her down and kill her anyway,” she points out. “Happens all the time.”

  “You’re depressing me,” I say, “and it’s not even ten in the morning yet.”

  She laughs and pushes herself away from my desk. “I’m going to go make a few calls. I’ve got a friend who’s a social worker. Maybe she’ll have some ideas about how I should talk to Kathleen.”

  “But if it won’t do any good—”

  Ellen shrugs. “She’s gotta live with him. I’ve gotta live with myself. I have to try.” At the door, she turns back. “You feel like going out for lunch today? I left my brown bag at home on the kitchen counter. The cats are gonna have a field day with the tuna salad sandwich.”

  I hadn’t had time to make lunch, since I’d waited till the last possible moment to get out of bed, so I’m delighted by the suggestion. “That would be great! Come get me whenever you’re hungry.”

  We end up at a wannabe Friday’s two blocks over. It serves mediocre food but it’s only a short walk away, which makes it a popular choice with those who work in our building. I order a hamburger, causing Ellen to give me a knowing look. />
  “You must be having your period,” she says. “You only eat meat about once a month.”

  I laugh and nod, although, in fact, I am midway through my cycle. It’s true that I rarely eat meat, but that’s because of Dante. I’m not always certain what animal shape he will take when he’s away from me. What if he has chosen to become a pig or a cow? I can’t stand the idea that someone could slaughter him and turn him into a Big Mac or a BLT. Only after I know he is alive and human again—only when he is at home in my bed—will I abandon my vegetarian diet.

  Ellen and I have just given our orders when we’re joined by Marquez, a copywriter in the creative department, who simply saunters over and pulls up a chair. Besides Ellen, he’s my closest friend at the office. He’s a soft man with a paunchy stomach, a doughy face, a gentle voice, and an endearing smile. He makes no secret of the fact that he’s gay, though I think he’s between relationships at the moment; he isn’t very forthcoming with the details of his love life. He is, however, perfectly willing to discuss everyone else’s love life, a topic that Ellen and I also find endlessly fascinating.

  After we speculate about Kathleen for a few minutes, we turn our attention to Marquez’s boss, an icy, regal woman with striking good looks who keeps her dark hair short and blunt and never wears anything but black.

  “As God is my witness, I think she’s having an affair with Grant Vance,” Marquez says. Grant is a good-looking African-American who handles customer relations and has never, as far as I’ve determined from personal observation, been in a bad mood.

  “Grant Vance is young enough to be her son!” Ellen exclaims.

  “Really?” I ask. “I’d guess he’s thirty, but how old is Caroline? Forty?”

  “My age, and I turned fifty-two last year,” Ellen says.

  Marquez is nodding at me when I look skeptical. “We had a party for her two years ago. The big five-oh,” he says.

  “Well, so what? Men date younger women all the time.”

  “I don’t care who sleeps with who as long as they don’t want me to watch it on TV,” Ellen says. “But I would never have picked Grant and Caroline.”